Pixel Scroll 4/28/24 Pixels Make The World Scroll Down

(1) NO, NO, NOT ROGOV! Annalee Newitz calls Paul Linebarger (aka Cordwainer Smith) “The Sci-Fi Writer Who Invented Conspiracy Theory” in The Atlantic.

…Linebarger, who died of a heart attack in 1966 at age 53, could not have predicted that tropes from his sci-fi stories about mind control and techno-authoritarianism would shape 21st-century American political rhetoric. But the persistence of his ideas is far from accidental, because Linebarger wasn’t just a writer and soldier. He was an anti-communist intelligence operative who helped define U.S. psychological operations, or psyops, during World War II and the Cold War. His essential insight was that the most effective psychological warfare is storytelling. Linebarger saw psyops as an emotionally intense, persuasive form of fiction—and, to him, no genre engaged people’s imagination better than science fiction.

I pored over Linebarger’s personal papers at the Hoover Institution propaganda collection while researching my forthcoming book, Stories Are Weapons: Psychological Warfare and the American Mind. Boxes of his studies on the politics of China and Southeast Asia are filed alongside his fiction manuscripts and unpublished musings on psychology. Here, I realized, was an origin story for modern conspiracy politics, which blur the line between sci-fi plots and American patriotism—they came from a psywar operative. Put another way, an agent of what some would now call the “deep state” had devised the far-out stories that politicians like Greene use to condemn it. Perhaps, if she and others knew this, they might not be so eager to blame space lasers and vaccine microchips for what ails our nation….

(2) WESTERCON 76 UTAH HOTEL RESERVATIONS OPEN. [Item by Kevin Standlee.] Westercon 76 has updated their hotel/venue web page with their hotel booking information. I published a post on the Westercon.org site about it{ “Westercon 76 Utah Opens Hotel Reservations”.

The short version is “use the link on the convention hotel/venue page” or “use group code WET when booking through Hilton.com.  

(3) MAKING BOOK. These suspects are from the nation, not the U.S. state — “Georgians arrested over cross-Europe thefts of rare library books”. The Guardian tells how the crime was committed.

Police have arrested nine Georgians suspected of running a sophisticated criminal operation stealing valuable antique books – including an original Alexander Pushkin manuscript – from national libraries across Europe.

Shelves of 19th-century Russian-language literature had been ransacked over two years across several countries and replaced with fakes, Europol, the EU police agency, revealed on Thursday.

The University of Warsaw, which was among the targets, last year reported the theft of first editions of works by the influential authors Pushkin and Nikolai Gogol.

Europol said the suspects allegedly sometimes posed as academics to gain access to the books in order to make counterfeits of “outstanding quality”.

While in the reading rooms “they would meticulously measure the books and take photographs before handing them back” – only to return days, weeks or months later to swap them with near perfect copies.

In other cases they “relied on a more crude approach” and simply staked out the collection in national libraries, decided what was of interest and later broke in and stole the books, police said….

(4) MARK D. BRIGHT (1955-2024). Black comics creator Mark D. Bright died March 27. The Comics Journal’s in-depth tribute begins:

Issue #257 of DC’s House of Mystery wasn’t short on talent when it hit the stands in late 1977. Like all issues of that horror anthology, it had its fair share of clunkers, but you couldn’t fault the art team. Joe Orlando (on the cover), Ernie Chan, Michael Golden, Arthur Suydam… and in between these heavy hitters was a three-pager by a newcomer named Mark D. Bright, raised in Montclair, NJ, and not yet a graduate of the Pratt Institute in Brooklyn. He would have other names in credit boxes throughout the years: M.D. Bright, “Doc” Bright, but a rose by any other name would smell as sweet. Bright would go on to a long and storied career, doing well-regarded work for both Marvel and DC throughout the 1980s and 1990s. He was also the co-creator of Icon with Dwayne McDuffie, one of the cornerstones of Milestone Comics, and co-creator of the oddball superhero comedy series Quantum and Woody with frequent collaborator Christopher Priest. Bright passed away on March 27, 2024, leaving the world of comics a much poorer place….

(5) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 28, 1948 Terry Pratchett. (Died 2015.)

By Paul Weimer: It took a second bite at the apple for me to fall for the works of Terry Pratchett.  My first attempt was in the 90’s, when I had vaguely heard about his work, and picked up The Color/Colour of Magic.  I thought it was fine and I also tried the Light Fantastic and Sourcery.  But it really didn’t gel for me. I thought at the time Pratchett was an okay writer, and maybe the humor wasn’t quite what I was looking for in fantasy at the time.  (To be fair, the humor in those early Discworld novels is a lot broader than the later more refined ones). 

Terry Pratchett in 2011.

It took over a decade and my late friend Scott to get me to try Pratchett again.  Scott was passionate about a number of writers. Zelazny, which we had in common. Lois M. Bujold, which we also had in common. Michael Scott Rohan. And Terry Pratchett.  Scott encouraged me and “talked me through” finding where I would best enjoy Pratchett’s oeuvre.  I found an affinity for Pyramids (and the best Mathematician on all of Discworld), but when it came to The Night Watch, I really started understanding the Discworld Project and what it was doing.  From then on, Pratchett was on auto-buy.  Vimes and company remained my favorite, although The Librarian is probably my single favorite minor character, if only for the fantastic idea of L-Space. 

Beyond Discworld, there is also Good Omens of course, and also the Long Earth series. The latter feels a lot more the work of his co-author Stephen Baxter than Pratchett but there are moments, scenes, images where the utter magic of Terry Pratchett’s work and writing and humanism comes through. 

One of my not-in-a-Pratchett bits that involves Pratchett is a bit in the late Vernor Vinge’s Rainbows End. In that novel, in its (now a) alternate history, Pratchett went on to write many many more Discworld novels, and became so popular that people would use VR to cosplay as being from the new area of the Discworld these imaginary novels were set (basically an entrepot more along the lines of Alexandria, Egypt).  I could wish, Zelazny style, to walk into that world and bring home copies of those “lost” Pratchett novels. I would love to read them. 

And, sadly I never got to meet him in person. My loss. 

Happy birthday.

(6) COMICS SECTION.

  • Off the Mark agrees that there’s always leftovers.
  • Bizarro takes us inside a reactive museum.

(7) DOUBLE FEATURE. The Flights of Fantasy Film Festival will show The War of The Worlds (1953 — 4K Restoration) and ten of the Best George Pal Oscar-Winning Puppetoons (restored in Technicolor®) at the Historic 1931 Regency Westwood Theater in LA on Wednesday, May 22 at 7:00 p.m. Tickets at the link.

Scheduled to appear are special guests director Joe Dante (Gremlins), Ann Robinson (star of War of the Worlds), and director-producer Arnold Leibovit (The Puppetoon Movie, The Time Machine 2002). These distinguished guests will offer their unique perspectives and insights, sharing behind-the-scenes stories and discussing the lasting impact of George Pal’s work on the world of cinema. Maxwell DeMille (master of ceremonies) is a prominent figure in reviving old Hollywood glamour through vintage-themed events. His commitment to authenticity has made him a leading figure in the vintage entertainment scene, and he also hosts film screenings and lectures on classic Hollywood culture.

(8) PRODUCTS LAUNCH. Gizmodo promises “Lego’s Gorgeous New Space Sets Shoot You Into the Stars”.

…This morning Lego revealed two more entries in its 2024 campaign to bring the ethos of its classic space sets across its various lines: for Lego Art, there’s a beautiful, buildable recreation of the Milky Way, containing 3,091 pieces for you to build into a technicolor spiral galaxy and hang on your wall. For those looking for something a little less macro-scaled, but still high on detail, the new 3,601-piece Artemis Launch System, part of the Lego Icons series, includes a mobile launch tower, a rocket support and crew bridge, and then of course a multistage rocket, complete with 2 solid-fuel boosters. The model also even includes a small brick-built recreation of the ESA Orion spacecraft, which can be put into the rocket or as part of a separate display stand, highlighting Artemis’ mission to further explore the Moon….

See photo galleries of both at the Lego website:

(9) METAL DETECTIVE. “Spacecraft approaches metal object zooming around Earth, snaps footage” – at Mashable.

A spacecraft has carefully approached and imaged a large hunk of metal orbiting Earth — a step in tackling humanity’s mounting space junk woes.

The delicate space mission, undertaken by the Japanese satellite technology company Astroscale, used its ADRAS-J satellite to travel within several hundred meters of an abandoned section of a noncommunicative, derelict rocket, proving it could safely observe in such close proximity…

(10) PIGS NOT QUITE IN SPACE. William Shatner has taken this flight before – a clip from a 1996 Muppets Tonight episode. Watch it on YouTube.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Jeffrey Smith, Kevin Standlee, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

2024 Agatha Awards

Malice Domestic announced the 2024 Agatha Awards on April 27.

The Agatha Awards honor the “traditional mystery,” books typified by the works of Agatha Christie and others. The genre is loosely defined as mysteries that contain no explicit sex, excessive gore or gratuitous violence, and are not classified as “hard-boiled.” 

BEST CONTEMPORARY MYSTERY NOVEL

  • Tara Laskowski. The Weekend Retreat

BEST HISTORICAL MYSTERY NOVEL

  • Sujata Massey. The Mistress of Bhatia House

DEBUT

  • Daphne Silver. Crime and Parchment

NONFICTION

  • Anjili Babbar. Finders: Justice, Faith, and Identity in Irish Crime Fiction

CHILDREN | YOUNG ADULT

  • Kate Jackson. The Sasquatch of Hawthorne Elementary

SHORT STORY

  • Dru Ann Love and Kristopher Zgorski. “Ticket to Ride” in Happiness Is a Warm Gun: Crime Fiction Inspired by the Songs of the Beatles

Robert Tilendis Review: Bissinger’s Carmelized Blood Orange Chocolate Candy

Review by Robert Tilendis: Founded in France in the 17th century, Bissinger’s chocolates were favored by the luminaries of 18th and 19th century Europe, such as Napoleon Bonaparte and the Rothschilds. The company was granted the title of “Confectioner of the Empire” by King Louis XIV. Bissinger’s relocated to the United States in 1845.

The example of their products that crossed my desk (well, landed on it) is the Caramelized Blood Orange, covered in dark (60%) chocolate, with hazelnuts. Being somewhat of a chocolate purist, I’m often dubious about additives, but since orange and chocolate are one of the classic combinations, I decided to give it a try.

It’s a 3-ounce bar, scored into eight squares, and rather flat. The hazelnuts seem to be mostly on the bottom. The chocolate surrounds a thin layer of blood orange caramel. The texture at room temperature is fairly firm, and a bite rapidly softens in the mouth, due probably to the caramel core. It’s a bit sweet, but the blend of flavors is good — the balance between orange and chocolate is just about perfect, and a reminder of why this has become a classic combination. The nuts add just a little bit of crunch, which accents the rather buttery texture of the chocolate/caramel combination.

I wound up liking this rather more than I expected. Bissinger’s website offers a chance to survey their offerings and purchase them directly. There is also a list of retailers.

Pixel Scroll 4/27/24 Pixel, Pixel, Scroll And Stumble. File Churn And Cauldron Double

(1) DEAD PLASTIC. [Item by SF Concatenation’s Jonathan Cowie.] What would you do if the world suddenly ran out of digital money?

With some parts of Worldcon fandom (such as publications policy increasingly becoming digital myopically to the exclusion of all else), this is a very topical subject.  Of course sercon trufans know that the current trend is to be abhorred: they’ve read the likes of Brunner, Gibson and Orwell).

The past couple of decades, SF has on occasion looked at digital privilege, monitoring and so forth, as well as social reactions against it (Max Headroom’s Blank Reg for example). So the new BBC Radio 4 drama series, that had its first episode this week, is timely.  It envisages a near-present day in which suddenly all debit and credit cards stop working.  The phenomena is not local, or national, but global….!

Money Gone, Money Gone – 1. ‘Insufficient Funds’” (Episode 1 of 5)

Valentine’s Day 2025. The UK awakes to financial catastrophe and no one can access any money. Ross sees opportunity as the country descends into chaos, but Grace has picked the worst day run away.

A fast-paced satirical drama starring Robert Bathurst (Cold Feet, Toast of London), Charlotte Richie (Ghosts, Call the Midwife), Aaron Heffernan (War of the Worlds, Brassic) and Josette Simon (Wonder Woman, Blakes 7).

(2) HANGING OUT ONLINE. John Scalzi, in “One Year of Bluesky”, assesses the social media platform for his Whatever readers.

…Now, the flip side of this is you can’t just sit back and let Bluesky happen to you. You have to engage with it — actual engagement! Not the kind where an algorithm pokes you with a stick! — or you’re going to be bored. It’s not an endless TikTok firehose where all you have to do is put yourself in its path. It’s a spigot, and you control how much or how little you get. Everyone says they want that, but it turns out a lot of people kinda like the firehose instead.

The other aspect of Bluesky being algorithm-free (and still being relatively small; its user base currently sits at 5.5 million) is that it’s not great for being famous or being an influencer, or being a troll. I think the Bluesky technical and cultural schema confuses the famous and/or influencer and/or shitty people who come onto the service to be famous, or to influence, or to be shitty for clicks. You can’t game an algorithm to go viral, and the sort of marketing that works on other social media works less well on Bluesky, and even if it did work that way, there aren’t hundreds of millions of people to broadcast at. You can try to do all these things on Bluesky, obviously. But Instagram and TikTok and Threads and the former Twitter are all still there, and much easier to game and influence and troll. People who come to Bluesky to do those things don’t seem to stay very long.

Which is a feature, not a bug, for me, and comports with how I want to do social media….

(3) A FURRY APOCALYPSE. Maya St. Clair evangelizes for a comedy film in “Would You Survive HUNDREDS OF BEAVERS?”

…Humanity, thanks to industrialized agriculture and the highway, now possesses the upper hand. But underneath it all, one sometimes senses a vague, sublimated longing to return to more survivalist times. Plexiglass Paul Bunyans and the Giant Musky dot the landscape, standing in shared reverence to older struggles of brute force, consumption, survival. On the radio, Gordon Lightfoot reminds us that even the sunny Great Lakes are biding their time to kill us. And this year we have Hundreds of Beavers, a two-hour slapstick tour de force that gleefully revives the hairy, primordial struggle of the old Midwest. In Moby-Dick, Herman Melville chronicled the “universal cannibalism of the sea”; Hundreds of Beavers brings us, at last, the universal cannibalism of Green Bay, Wisconsin….

Hundreds of Beavers Official Trailer”.

In this 19th century, supernatural comedy, a drunken applejack salesman must go from zero to hero and become North America’s greatest fur trapper when he loses his whole operation in a fire and is stranded in the wilderness. Now facing starvation, he must survive in a surreal winter landscape surrounded by Hundreds of Beavers – all played by actors in full-sized beaver costumes. Using nothing but his dim wits, he develops increasingly complex traps to battle the beavers and win the hand of a mischievous lover.

(4) RAY DALEY (1969-2024). Author Ray Daley died April 19 following a heart attack on March 28. His earliest sff was self-published beginning in 2012. His work included the collection A Year Of Living Bradbury; 52 Stories Inspired By Ray Bradbury (2014).

His first blog post in 2012 was charmingly frank:

…I can be a bit anal about wanting to be as factual as I can be, to the point where it actually gets in the way of the storytelling. I actually came across this problem when I wrote my first story I decided to sell.  I had a great idea but the facts ruined it so I had to go with my own reality on that occasion….

(5) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 27, 1963 Russell T. Davies, 61. Let’s talk about the man who in large part made the revival of Doctor Who possible, Russell T. Davies. 

He was both the showrunner and head writer for the revival of the Doctor Who for the first five years. His last episode was the Tenth Doctor’s “The End of Time” which he wrote and executive produced. He wrote thirty-one episodes during his tenure.

But let’s go back in time to his earlier series. 

Russell T. Davies in 2008.

His Dark Season children’s series had three young teenagers in a contemporary secondary school who discover a plot by the villain Mr Eldritch to take over the world using school computers. The next three episodes focus on a new villain: the archaeologist Miss Pendragon who becomes a part of the ancient supercomputer Behemoth. The two distinct plot elements who later converge when Pendragon crashes through the school stage as Eldritch walks into the auditorium.

Following up on that would be Century Falls which tells the story of teenager Tess Hunter and her mother, who move to the seemingly idyllic rural village of Century Falls, only to find that it hides many powerful secrets. Something dark has happened here and it will take her to bring it out into the light. 

And then there’s The Second Coming which gave BBC the vapours (spelling there deliberately used) It concerns a video store worker by the name Steve Baxter, played by Christopher Eccleston, who realizes he is in fact the Son of God that has but a few days to find the human race’s Third Testament and thus avert the Apocalypse. It ran on Channel 4 with major changes from what Davies originally envisioned.

Torchwood was his first post-Who series and I think it was brilliant early on. From my perspective, the characters, the setting and the storyline was quite amazing. No, not every story was great but over the first two seasons were well-worth watching. Now keep in mind that of the first two series, Davies wrote only the première episode but was the showrunner with Christopher Chibnall. The last two series, “Children of Earth” and “Miracle Day” I cared not for at all. 

Then he would do the Sarah Jane Adventures, technically a children’s series but I saw it and it was lovely for everyone. A spin-off of Doctor Who with the companion Sarah Jane played by Elizabeth Sladen. He would be one of five, yes five, executive producers here. 

Now living in modern-day Ealing, London, she investigates extraterrestrial matters and protects Earth against alien threats with a group of teenage accomplices. It ran five series with a sixth planned until she passed on from pancreatic cancer.

Davies made a cameo appearance in  The Five(ish) Doctors Reboot. Haven’t seen it? What are you waiting for? 

So Davies has now returned as Doctor Who’s showrunner. He of course cast Rwandan–Scottish actor Ncuti Gatwa for the Fifteenth Doctor. Or was the Fourteenth Doctor originally? Only Davies knows. Or did a week later. Time is a cool thing. 

I’m reasonably sure that covers his genre work. 

(6) COMICS SECTION.

  • The Far Side proves even a Western showdown has a logical order.
  • Tom Gauld’s cartoon has a bit more edge than usual!
  • Nathan W. Pyle takes us to a lawn belongings transfer.

(7) FALLOUT UNSHELTERED. Inverse reveals “How Amazon’s Best New Sci-Fi Show Built Its Massive Post-Apocalyptic World”.

… Though this may be an entirely new saga, there is no question that it is set within the all-too recognizable world of the Fallout series. In fact, Nolan was committed to bringing this vast universe to life as faithfully and precisely as possible — and this daunting task fell on the shoulders of production designer Howard Cummings and costume designer Amy Westcott….

… And so, Cummings and Westcott dove into the vast world of Fallout. Neither being self-proclaimed “gamers,” this involved a mountain of research….

…The more he watched and listened to the fans, the more detail he discovered within the universe. “It all has such history. It’s crazy — I used to turn on my phone and just fall asleep listening to the history of Fallout.”

Cummings became so familiar with the look and feel of Fallout that Bethesda Games, the company responsible for the series, essentially “let [him] go” do his thing, he says. “But I had to go to them when we were creating new stuff, because I wanted to make sure it was right. I knew that fans would sit there and go through it all and find every friggin’ Easter egg!”

Bethesda collaborated with Cummings, helping him craft many new crucial pieces of Fallout lore — perhaps most excitingly, a map showing the locations of every single Vault in America. It is this mixture of ultra precise replication paired with thoughtful new creation that makes the design of the series a feat in world-building and a surefire hit with fans and newcomers alike.

(8) GAIMAN FILM PROJECT. “Neil Gaiman Teams With Graphic India For Animated Pic ‘Cinnamon’” reports Deadline.

New York Times best-selling author Neil Gaiman is teaming with Graphic India for the English-language animated movie, Cinnamon.

Based on a short story written by Gaiman, the screenplay is being adapted by the Coraline author and leading Indian animation writer and creator, Sharad Devarajan (The Legend of Hanuman; Baahubali: The Lost Legends) with Sarena Khan and Sujatha SV. Indian animator Jeevan J. Kang is set to direct.

Blurb for project: Born with pearl eyes that render her blind to the physical world, Cinnamon’s destiny is shaped forever when a mysterious talking tiger appears. Offering to lead her through the wonders and trials of the wild, Cinnamon begins a perilous adventure that will shape her path and test her resolve. She enters a hidden realm where the line between the mundane and the mystical is as thin as a whisper and where the ancient wisdom of India breathes life into a jungle thrumming with secrets….

(9) IMAGINARY WEALTH. [Item by Mike Kennedy.] OK, it’s mostly guesswork. But it’s still interesting to see these extremely rich fictional characters ranked and to see that none of them would be so rich as to be completely out of line in the modern world. Only the top 2 crack the $50B mark, leaving them way, way behind in the race for the richest person in the world (for which they’d have to be worth over 4 times that much). “15 Richest Fictional Characters Of All Time” at The Richest. The ladder runs from Jay Gatsby to Scrooge McDuck, with a surprising number of sff characters in between.

2 – SMAUG

Smaug’s Net Worth: $54.1 Billion

The Hobbit’s very own dragon Smaug never speaks a word, but has managed to invade the town of Dale, which happens to be sitting on a pile of gold.

Some sources have placed Smaug’s net worth as high as $62 billion dollars, with $54.1 billion deemed a “conservative estimate.”

(10) I DIDN’T KNOW IT WAS MISSING. Dan Monroe wants to know “Whatever Happened to the BLACK HOLE?”

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Uncanny Magazine Issue 58 Launches 5/7

The 58th issue of the Uncanny Magazine, winner of seven Hugos and a British Fantasy Award, will be available on May 7 at uncannymagazine.com

Hugo Award-winning Publishers Lynne M. Thomas and Michael Damian Thomas are proud to present the 58th issue of their seven-time Hugo Award-winning online science fiction and fantasy magazine, Uncanny Magazine. Stories from Uncanny Magazine have been finalists or winners of Hugo, Nebula, Locus, Sturgeon, and World Fantasy Awards. As always, Uncanny features passionate SF/F fiction and poetry, gorgeous prose, provocative nonfiction, and a deep investment in the diverse SF/F culture, along with a Parsec Award-winning monthly podcast featuring a story, poem, and interview from that issue. 

All of Uncanny Magazine’s content will be available in eBook versions on the day of release from Weightless Books, Amazon, Barnes & Noble, Google Play, and Kobo. Subscriptions are always available through Weightless Books. The free online content will be released in 2 stages- half on day of release and half on June 4. 

Follow Uncanny on their website, or on Twitter and Facebook.

Uncanny Magazine Issue 58 Table of Contents:

Cover

  • Stasis by Zara Alfonso

Editorial

  • “The Uncanny Valley” by Lynne M. Thomas & Michael Damian Thomas

Fiction

  • “Three Faces of a Beheading” by Arkady Martine (5/7)
  • “Happily Ever After Comes Round” by Sarah Rees Brennan (5/7)
  • “Mirage in Double Vision” by Tia Tashiro (5/7)
  • “Loneliness Universe” by Eugenia Triantafyllou (6/4)
  • “Markets of the Otherworld” by Rati Mehrotra (6/4)
  • “Hands Like Gold and Starlight” by K.S. Walker (6/4)
  • “Five Answers to Questions You Probably Have” by John Wiswell (5/7)

Essays

  • “Scalzi on Film: The Aesthetics of Spectacle: A Look at Dune in 1984 and 2024” by John Scalzi (5/7)
  • “Writing Inside a Box” by Amy Berg (5/7)
  • “Seven of Nine Is a Third-Culture Kid” by Dawn Xiana Moon (6/4)
  • “‘Almost Human’: The Borg as a Metaphor for Societal Ableism” by Cara Liebowitz (6/4)

Poetry

  • “there are no taxis for the dead” by Angela Liu (5/7)
  • “The High Priestess Writes a Love Letter to The Magician” by Ali Trotta (5/7)
  • “My Vengeance of Light Bears Witness from A Mountain View” by Nwuguru Chidiebere Sullivan (6/4)
  • “Moon Sun Shadow Crow” by Fran Wilde (6/4)

Interviews

  • Arkady Martine interviewed by Caroline M. Yoachim (5/7)
  • K.S. Walker interviewed by Caroline M. Yoachim (6/4)

Podcasts

  • Episode 58A (5/7): Editors’ Introduction, “Happily Ever After Comes Round” by Sarah Rees Brennan, as read by Erika Ensign, “there are no taxis for the dead” by Angela Liu, as read by Matt Peters, and Lynne M. Thomas interviewing Sarah Rees Brennan.
  • Episode 58B (6/4): Editors’ Introduction, “Loneliness Universe” by Eugenia Triantafyllou, as read by Matt Peters; “Moon Sun Shadow Crow” by Fran Wilde, as read by Erika Ensign; and Lynne M. Thomas interviewing Eugenia Triantafyllou.

2024 Seiun Award Nominees

Yanekon logo

Nominees for the 55th Seiun Awards, the Japanese speculative fiction award honoring the best works of the previous calendar year, were announced April 24. The winners will be announced July 6 at Yanecon, the 62nd Japan Science Fiction Convention, to be held in Nagano Prefecture.

The award has nine categories. The full list of finalists in Japanese is here.  Below are the items shortlisted in the categories for translated works.

BEST TRANSLATED LONG WORK

  • Braking Day by Adam Oyebanji. Translated by Tsukasa Kaneko
  • Iron Widow by Xiran Jay Zhao. Translated by Naoya Nakahara
  • The Kaiju Preservation Society by John Scalzi. Translated by Masayuki Uchida
  • Civilizations by Laurent Binet. Translated by Akemi Tachibana
  • The Greenhouse at the End of the World by Kim Cho-yeop. Translated by Kang Bang-hwa
  • Drunk on All Your Strange New Worlds by Eddie Robinson. Translated by Ken Mogi
  • Mickey 7 by Edward Ashton. Translated by Mayumi Otani

BEST TRANSLATED SHORT WORK

  • “Solidity” by Greg Egan. Translated by Makoto Yamagishi
  • “Six Months with Only One Elbow” by Jaroslav Weiss. Translated by Kiyomi Hirano
  • “Sleepover” by Alastair Reynolds. Translated by Naoya Nakahara
  • “The Long Way Home” by Fred Saberhagen. Translated by Toru Nakamura
  • “Exo-Skeleton Town” by Jeffrey Ford. Edited and Translated by: Akemi Tanigaki

2024 Tomorrow Prize Finalists

The Tomorrow Prize and The Green Feather Award: Celebrity Readings & Honors will take place May 11. The Omega Sci-Fi Project’s culminating event recognizes outstanding new works of science fiction written by Los Angeles County high school students, as well as this year’s winning ecology-themed sf story.

The 2024 finalists’ stories will be read by celebrity guests on Sunday, May 11 from 4:00-6:00 p.m. Pacific at Vroman’s Bookstore in Pasadena, CA. Register to attend the free event at Brownpapertickets.com.

The winners will receive cash prizes. 

  • First, Second, and Third place Tomorrow Prize winners will receive $250, $150, and $100 USD cash prizes.
  • The First place Tomorrow Prize winner will be published in L.A. Parent Magazine

The Green Feather Award is an additional special prize category for an environmentally focused sci-fi story. The winner will receive $250 and online publication by the Nature Nexus Institute.

Pixel Scroll 4/26/24 A Pixel Lives Forever, But Not So Files And Scrolls

(1) NOBODY’S HOME. [Item by Steven French.] Extract from a new book in that old chestnut, where is everybody? Smithsonian Magazine asks “Where Is Everybody in Our Universe?”

…There is no doubt that the simplest answer to the questions “Why the Great Silence? Why don’t we hear any SETI signals?” is that we don’t hear signals because no one is sending them. There are a number of other explanations that have been put forward, and we can look at them briefly before taking William of Ockham seriously. Basically, the explanations can be divided into three categories:

1. They really are out there, but they’re not interested in us.

2. They really are out there, but they’re protecting us.

3. They really are out there, and we’re going to get it unless we mend our ways.

An example of the first category would be a race of extraterrestrials living in a Dyson sphere, happy as clams with their star’s energy and supremely uninterested in anyone else. Another possibility would be extraterrestrials on a rogue planet who can’t imagine a planet near a star being inhabitable. An example of the second item in the list is seen in the Star Trek series, where spacefarers obey the Prime Directive, which forbids them from interfering with the development of other life forms. The last category is portrayed in the classic 1950s film The Day the Earth Stood Still, in which an extraterrestrial visitor warns that Earth will be destroyed unless we control our use of atomic weapons:

Klaatu barrada nikto!” …

[Excerpt condensed for print from Exoplanets: Diamond Worlds, Super Earths, Pulsar Planets, and the New Search for Life beyond Our Solar System © 2017 by Michaels Summers and James Trefil]

The authors’ conclusion makes for grim reading: there is no one out there and that’s because evolution produces warlike, aggressive species that use their newly developed scientific expertise to wipe themselves out, a fate that awaits us too.

(2) SIMULTANEOUS TIMES. Space Cowboy Books has posted episode 74 of the Simultaneous Times podcast with Eric Fomley & Tonya R. Moore. Stories featured in this episode:

  • “Control” by Eric Fomley; with music by Phog Masheeen
  • “Halfway House” by Tonya R. Moore; with music by Patrick Urn
    Theme music by Dain Luscombe

(3) SHORT OF PERFECTION. [Item by Steven French.] When you’re looking for a disappointing utopia … “The Illustrated Map of America’s Worst Utopias” at Atlas Obscura.

THERE ARE MANY WHO WANT to believe that a utopia—a perfect society, an ideal world—can exist. Even in America.

Yet, as quickly as leaders eagerly build utopias, they often crumble in a glorious heaping mess. Some fall to sex scandals, others toil in hunger, while many are struck with bad luck. From nudist colonies to bioterrorist cults, we map and explore six of the most disappointing and unfortunate utopias in the United States.

(4) CORA BUHLERT VISITS 1969. Here are links to Cora Buhlert’s recent contributions to Galactic Journey, the blog that keeps track of the latest in science fiction – 55 years ago.

She reviewed The Face in the Frost by John Bellairs and Slaughterhouse Five by Kurt Vonnegut. Cora says, “I lobbied for the Slaughterhouse Five review, considering I actually knew people who survived the bombing of Dresden”: “[March 14, 1969 ] (March 1969 Galactoscope)”.

Cora also wrote an article about the non-Conan Robert E. Howard works that came back into print in the late 1960s in the wake of the huge success of the Conan reprints: “[March 28, 1969] Life Beyond Conan: The Other Heroes of Robert E. Howard”.

(5) GEORGE LUCAS, REAL ESTATE TYCOON. “Chicago’s Most Expensive Condo Being Constructed By Director George Lucas” at Chicago YIMBY.

“Star Wars” creator George Lucas, have expanded his real estate portfolio with the purchase of a $11.2 million 66th-floor penthouse in Streeterville’s 800 N Michagan Avenue building from Citadel founder Ken Griffin. They plan to merge this penthouse with their existing 65th-floor condo, bought in 2015 for $18.75 million, to create a 16,000-square-foot duplex penthouse. The total cost for this project is estimated at $33.5 million, setting a new record for Chicago’s most expensive condo. Architect Scott Fortman of Gibbons, Fortman & Associates is overseeing the design, which includes adding two new interior staircases and upgrading electrical and mechanical systems as reported by the Chicago Tribune.

(6) JUBILEE CHO (1998-2024). SFWA today posted “In Memoriam – Jubilee Cho”, honoring the author of the upcoming middle grade fantasy novel Wishing Well, Wishing Well who died on March 6 at the age of 25.

Cho grew up near Disneyland, enamored with stories of fantastical princesses. Yearning to see herself included in such tales, she wrote her own to help give new generations of children something she’d needed to create for herself. Cho planned a long writing career and wanted to use her platform to foster awareness about disability and mental health, and to share the beauty of trans joy with the world.

Author Kwame Mbalia who had reached out as a mentor says, “In the briefest of moments that I was able to interact with Jubilee, her desire to not only write, but to write for young readers about drawing upon their own identity and sharing that with others, was an inspiration. She is an inspiration, and her light is gone too soon, though its glow will live on in the hearts of those who knew her.”

Author E.D.E. Bell said, “Jubilee was a princess who wanted everyone to know that they too can be included in stories, in joy, in femininity, in Pride, in gathering, in any magic they desired. I hope children will find their own spirit in her lovely, hopeful story, and let it lift them to soar.”

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 26, 1945 M. John Harrison, 79.

Paul Weimer wrote this Birthday.

M John Harrison taught me about the joy of inconsistent and contradictory worldbuilding.

For most writers of fantasy, for most works of fantasy, I am always looking for the consistency and the power of the worldbuilding. Inconsistent, and worse, lazy and weak worldbuilding, can catapult me right out of a story or a novel, permanently. This has happened for me as a reader just this month with a brand-new novel. 

M. John Harrison

M John Harrison is the exception to that for me. My reading of his work is almost exclusively Viriconium. But it is precisely in Viriconium, Harrison’s carved out territory in the Dying Earth subgenre, that I learned that worldbuilding is not the be all and end all of fantasy writing. The contradictions, the inconsistencies, the lack of cohesion is part of the point of the dying world of Viriconium. Not being able to rely on previous stories and novels in the sequence to understand what is happening in a particular work is something that Harrison relies on, and it is something that I learned to accept, and even expect in the Viriconium stories. 

Really, Viriconium’s world building is beside the point, and that is why Harrison writes it in a way that you can’t rely on it. Instead, to use modern parlance, Viriconium is much more all about the “vibes”, and what vibes!  Vance and Wolfe may have perfected Dying Earth as a subgenre, but Harrison gives it a feel that few authors have managed to hit ever since. There are few authors I’ve read that have managed to embody the vibe of the subgenre they are writing in as well as M John Harrison has. And with such language and writing. On a sentence by sentence level, Harrison is one of the most talented writers I’ve ever read, of any genre. 

A singular talent.

(8) COMICS SECTION.

  • Free Range has a guest who’s forgotten it’s a talk show.
  • Close To Home has an ethical use of a time machine.
  • Off the Mark shows that patience is not unlimited.
  • Bizarro launches an alternate astronaut/
  • Macanudo might be a Zelazny reference. Or if not, then certainly Bradbury.
  • Rhymes with Orange discovers something about homemade phones.

(9) WOULD YOU LIKE TO BE MY NEIGHBOR? Eh, maybe not: “How Scientists Are Preparing for Apophis’s Unnervingly Close Brush With Earth” at Gizmodo.

In about five years’ time, a potentially hazardous asteroid will swing by Earth at an eerily close distance of less than 20,000 miles (32,000 kilometers). During this rare encounter, Apophis will be ten times closer to Earth than the Moon and scientists want to take full advantage of its visit….

…Private space companies like Blue Origin and startup Exploration Labs, or ExLabs, have come up with proposals for missions to rendezvous with Apophis before its anticipated flyby, SpaceNews reported. During a recent workshop at a European Space Agency center in The Netherlands, the companies pitched their mission concepts in an effort to learn more about the asteroid and other space rocks that could pose a potential risk to Earth….

…NASA’s OSIRIS-APEX spacecraft, formerly known as OSIRIS-REx, is already on its way to study Apophis and observe changes the asteroid may endure from its close encounter with Earth. After dropping off samples from the Bennu asteroid in the Utah desert, the spacecraft was repurposed for a new errand, having to carry out close passes to the Sun, as well as three Earth gravity assists, to reach Apophis in five years….

(10) NASA BRINGS HOME THE HARDWARE. “NASA Wins 6 Webby Awards, 8 Webby People’s Voice Awards”.

NASA was recognized [April 25] by the 28th Annual Webby Awards with six Webby Awards and eight Webby People’s Voice Awards, the latter of which are awarded by the voting public. The Webbys honors excellence in nine major media types: websites and mobile sites, video, advertising, media and public relations, apps and software, social media, podcasts, games, the metaverse, and virtual and artificial intelligence (AI).

Full List of NASA’s 28th Annual Webby Award Wins

NASA.gov
Webby Winner, People’s Voice Winner
Websites and Mobile Sites-General Desktop & Mobile Sites | Government & Associations
This is the fifth Webby Award and the 12th People’s Voice Award for the agency’s website

NASA’s Curious Universe: Suiting Up for Space
Webby Winner, People’s Voice Winner
Best Podcasts-Individual Episodes | Science & Education

NASA’s Immersive Earth
Webby Winner, People’s Voice Winner
Artificial Intelligence (AI), Metaverse & Virtual-General Virtual Experiences | Science & Education

NASA: Message in a Bottle
NASA Jet Propulsion Laboratory
Webby Winner, People’s Voice Winner
Advertising, Media & PR-PR Campaigns | Best Community Engagement

OSIRIS-REx Asteroid Sample Return (Official 4K NASA Live Stream)
People’s Voice Winner
Video-General Video | Events & Live Streams

NASA’s First Asteroid Sample Return Mission
Webby Winner, People’s Voice Winner
Social-Social Campaigns | Education & Science

NASA+ Streaming Service
Webby Winner
Websites and Mobile Sites-General Desktop & Mobile Sites | Television, Film & Streaming

Annular Solar Eclipse
People’s Voice Winner
Social-Social Campaigns | Events & Live Streams

Hubble’s Inside the Image
NASA, Origin Films
People’s Voice Winner
Video-Video Series & Channels | Science & Education

(11) CLIPPING SERVICE. Here’s a Heinlein photo from the San Pedro CA News Pilot, dated August 14, 1948.

(12) VIDEO OF THE DAY. Ryan George shares footage of “The Focus Group That Gave Us The Internet”.

[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, Paul Weimer, Bill, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

2024 GUFF Race Decided

The winner of the GUFF 2024 race is Kat Clay of Australia.

GUFF, the Get Up-and-over Fan Fund or the Going Under Fan Fund, depending on which direction it’s running, exists to provide funds to enable well-known fans from Australasia and Europe to visit each other’s national (or other) conventions and get to know each other’s fandoms better.

Alison Scott, European GUFF Administrator, writes:

The GUFF race has concluded and we are delighted to announce that Kat Clay will be the 2024 GUFF delegate and will attend Glasgow 2024: a Worldcon for our Futures. We hope she’ll enjoy the convention and take the opportunity to visit fans across Europe. 

There were 81 valid votes cast: 

First Preference Votes
Kat ClayIan NicholsNo Preference
Australia/NZ24181
UK/Europe18114
Other032
Total42327

Redistributing the “no preference” votes where a second preference was stated gave one extra vote to each candidate. 

A small number of other votes were received that failed to satisfy one or more of the voting requirements (though, if included, would not have affected the outcome).  

VOTERS: Aidan Doyle, Alan Stewart, Alex Isle, Amanda Bridgeman, Andre Czausov, Andrew Hogg, Andrew Porter, Barb de la Hunty, Carey Handfield, Carolina Gomez Lagerlof, Cat Sparks, Catherine Pickersgill, Catherine Sharp, Celia Pearce, Christina Lake, Claire Brialey, Constanze Hofmann, Danny Oz, Dave Langford, Dave Luckett, Dave Sinclair, DC, Donna Maree Hanson, Douglas Spencer, Edie-Brie Hawthorne, Elaine Cuyegkeng, Emily January, Eric Lindsay, España Sheriff, Farah Mendlesohn, Fiona Moore, Geneve Flynn, Gillian Polack, Greg Turkich, Harry Payne, Ian Maughan, Ian Nichols, Irwin Hirsh, James Shields, Jan van’t Ent, Jane Routley, Jean Weber, John Coxon, Joseph Nicholas, Judi Hodgkin (Hemsley), Jukka Halme, Julia Svaganovic, Julian Warner, Julianne Hamilton, Justin Bennett, Leon Moor, Maciej Matuszewski, Marcin Klak, Margaret Dunlop, Mark Loney, Mark Morrison, Mark Plummer, Melissa Ferguson, Michael David (Mike) Kennedy, Mike Scott, Murray Moore, Nathan Phillips, Nicholas Whyte, Omega, Perry Middlemiss, Peter Sullivan, Rich Horton, Robert Hood, Roman Orzanski, Rose Mitchell, Sally Beasley, Sandra Bond, Stephen Dedman, Stephen Gunnell, Stu Sellens, Sue Edwards, T. R. Napper, Terry Huddy, Thomas Westerberg, Tony Cullen, Vincent Docherty.

2024 Aurora Award Ballot

The Canadian Science Fiction and Fantasy Association (CSFFA) today announced the ballot for the 2024 Aurora Awards for Science Fiction, Fantasy, and Horror composed of eligible works done by Canadians in 2023. 

The top five nominated works were selected.  Additional works were included where there was a tie for fifth place.  An online awards ceremony will be held on Sunday, August 11, at 5:00 p.m. Eastern, with hosts Mark Leslie Lefebvre and Liz Anderson. Details at www.csffa.ca

Best Novel

  • Bad Cree, Jessica Johns, HarperCollins Canada
  • The Marigold, Andrew F. Sullivan, ECW Press
  • Moon of the Turning Leaves, Waubgeshig Rice, Random House Canada
  • Silver Nitrate, Silvia Moreno-Garcia, Del Rey
  • The Valkyrie, Kate Heartfield, HarperVoyager

Best Young Adult Novel

  • The Crystal Key: The Dream Rider Saga, Book 2, Douglas Smith, Spiral Path Books
  • Flower and Thorn, Rati Mehrotra, Wednesday Books
  • Funeral Songs for Dying Girls, Cherie Dimaline, Tundra Books
  • The Grimmer, Naben Ruthnum, ECW Press
  • The Stars of Mount Quixx, S.M. Beiko, ECW Press

Best Novelette/Novella

  • Green Fuse Burning, Tiffany Morris, Stelliform Press
  • I AM AI, Ai Jiang, Shortwave Media
  • “The Most Strongest Obeah Woman of the World”, Nalo Hopkinson,
  •     Out There Screaming: An Anthology of New Black Horror, Random House
  • Pluralities, Avi Silver, Atthis Arts
  • Untethered Sky, Fonda Lee, Tordotcom

Best Short Story

  • “At Every Door A Ghost”, Premee Mohamed, Communications Breakdown, MIT Press
  • “The Dust Bowl Café”, Justin Dill, Augur Magazine, Issue 6.1
  • “If I Should Fall Behind”, Douglas Smith, The Magazine of Fantasy & Science Fiction, Sept/Oct Issue
  • “Once Upon a Time at The Oakmont”, P.A. Cornell, Fantasy Magazine, Issue 96
  • “Sink Your Sorrows to the Sea”, Chandra Fisher, Saltwater Sorrows, Tyche Books

Best Graphic Novel/Comic

  • Atana and the Firebird, Vivian Zhou, HarperCollins
  • A Call to Cthulhu, Norm Konyu, Titan Nova
  • Carson of Venus, Ronn Sutton (artist), Martin Powell (writer), and Maggie Lopez (colourist), webcomic
  • Cosmic Detective, Jeff Lemire and Matt Kindt, art by David Rubin, Image Comics
  • It Never Rains, Kari Maaren, webcomic
  • The Secret of the Ravens, written and illustrated by Joanna Cacao, with lettering by Kyla Aiko, Clarion Books
  • Wychwood, Ally Rom Colthoff, webcomic

Best Poem/Song

  • “As a, I want to, so I can”, Kelley Tai, Heartlines Spec, Issue 2, Spring/Summer 2023
  • “Awakening”, Tiffany Morris, Nightmare Magazine, Issue 134
  • “Lying Flat”, Lynne Sargent, Strange Horizons, Issue 9 October 2023
  • “predictive text”, Dominik Parisien, Augur, Issue 6.1
  • “Scarecrow”, David Shultz, Polar Starlight, Issue 9
  • “A Siren’s Call, A Banshee’s Wail, A Grandmother’s Dream”, Ai Jiang, Uncanny Magazine, Issue Fifty Four

Best Related Work

  • GAME ON!,  Stephen Kotowych & Tony Pi, editors, Zombies Need Brains LLC
  • No One Will Come Back for Us and Other Stories, Premee Mohamed, Undertow Publications
  • On Spec Magazine, Diane L. Walton, Managing Editor, The Copper Pig Writers’ Society
  • Skin Thief: Stories, Suzan Palumbo, Neon Hemlock Press
  • Year’s Best Canadian Fantasy and Science Fiction: Volume One, Stephen Kotowych, editor, Ansible Press

Best Cover Art/Interior Illustration

  • Augur Magazine, Issue 6.1, cover art, Lorna Antoniazzi
  • Endless Library – Fantasy, interior art, Marco Marin,
  •      Year’s Best Canadian Fantasy and Science Fiction: Volume One, Ansible Press
  • Green Fuse Burning, cover art, Chief Lady Bird, Stelliform Press
  • The Machines That Make Us, cover art, Brent Nichols, Tyche Books
  • The Passion of Ivan Rodriguez, cover art, Kayla Kowalyk, Tyche Books
  • Tales & Feathers Magazine, Issue 1, cover art, Jade Zhang

Best Fan Writing and Publication

  • Maria’s Sci-Fi, Fantasy & Horror Short Fiction Roundup, Maria Haskins
  • Polar Borealis Magazine, Issues: 24, 25, 26, and 27, edited by R. Graeme Cameron
  • Polar Starlight Magazine, Issues: 8, 9, 10, 11, and 12, edited by Rhea E. Rose 
  • The Travelling TARDIS, Jennifer Desmarais, JenEric Designs
  • Young People Read Old SFF, edited by James Davis Nicoll, online

Best Fan Related Work

  • ephemera Reading Series, KT Bryski and Jen R. Albert, co-chairs, online
  • Scintillation 4, Jo Walton and René Walling, co-chairs, Montreal
  • Sip & Read / Sip & Social @ Librairie Saga Bookstore, Mathieu Lauzon-Dicso, bookstore owner
  • When Words Collide, Randy McCharles, chair, Calgary
  • The Worldshapers Podcast, Edward Willett, online